Cardioid pattern 3. 2 people did not find this review helpful, 6 people did not find this review helpful, 10 of 10 people found this review helpful. Since drummers are always destroying tom mics, it's not uncommon that the necessity to try something new on the toms arises. Close mics on toms and snare? I really liked how the TLM 49 had a good deal of presence without having too much bite-great for warming up distorted guitars without making them sound dull or muddy. It sounds really, really good. Physically, the TLM 49 looks more like Neumann's classic M 49 (and its cardioid-only sibling M 50) than the U 47, but all these mics share the same kind of peaks and dips in frequency response. After reading Mike Jasper's excellent review of the Wunder Audio CM7 mic (Tape Op #59), where he paraphrases Wunder designer Mike Castoro's explanation of how the U 47's grille helps to define its legendary sound, I pulled out the TLM 49's spec sheet. The mic was smoother than my Groove Tubes GT50, and although neither mic is what I'd call muddy, the TLM 49 was less cloudy while still sounding full. Its cardboard box is more than enough to store in the studio. I've used this mic on a bunch of sessions lately, and y'know, it's one of those mics that seems to sound good on anything. It is a large diaphragm true capacitor... Sony, widely known for their consumer entertainment products, takes pro audio very seriously. The TLM 49 is a large-diaphragm FET condenser microphone with Neumann’s K47 capsule. Being familiar with Ted Fletcher's colorful (literally and sonically) line of preamps, compressors and EQs, I was very intrigued by this new microphone. Not enough lower-mid punch for my taste, although what it And then finally, I tried the mic on vocals, and I immediately understood why the Neumann rep called this a killer vocal mic. For singing, you'll either love it or hate it-in an obvious enough way that you'll be able to move on to another mic if it ain't working for that particular situation. Plug the mic into a preamp; feed the signal to your favorite compressor or leveler; hit record; done. But proximity effect ramps up quickly on the KSM32, so you need to keep at least 4" distance on vocals. Classic sound for silky vocals 4. Sure there are plenty of large-diaphragm condensers that will give you hype, but many modern LDCs can end up sounding harsh or muddy to my ears. It is designed primarily as a vocal mic, with a sound inherited from the U47 and M49 microphones (both of which also used the K47 capsule). He's the owner of Audio Upgrades,... Vintage King co-founder Michael Nehra shares some of his love, knowledge, and practical advice for diving into the world of vintage audio gear, and then takes us behind the scenes for a walk through... Bill Cheney and Jim Romney are the men responsible for keeping the amazing legacy of Spectra Sonics, a legendary, if criminally unheralded, pro-audio company alive. After reading Mike Jasper's excellent review of the Wunder Audio CM7 mic (Tape Op #59), where he paraphrases Wunder designer Mike Castoro's explanation of how the U 47's grille helps to define its legendary sound, I pulled out the TLM 49's spec sheet. I've put it on everything except drums, and the sound always seems full, warm... Take a phantom-powered version of the "Build Your Own Mic" from Tape Op #16, install two in a plastic model of a human skull, and you have the coolest new mic to track stereo signals in the studio... Jim Williams has spent much of his 56 years working with some of the biggest names in the music business, including Frank Zappa, John McLaughlin and Stevie Wonder. Transformerless solid state circuit with tube sound characteristics 6. As a reminder, PSE 825 grams, 80 grams against the 184 of one kilometer! Supplied with suspension. Ver… (I’ve used … Although in general, my M7 and M9-capsuled Gefell mics (UM92.1S, UMT70S, M930, and M990) were creamier in the lower mids, TLM 49 vocals cut through dense mixes better. Overheads? Even close-mic'ed, the guitar wasn't too boomy, and although the highs were pronounced, they didn't cut my head off. (This content has been automatically translated from French). We had very little time to "get sounds", so I put up three different mics in front of my DW 16" x 22" bass drum with Aquarian heads: a TC30K, an MD 421, and the TLM 49. So that gave me the idea of placing the mic about 5 ft out from the front of the kit the next time I used the mic. The RCA 44-A, is one of these. Acoustic guitar? The capsule also exhibits a natural low-end rolloff from 40 Hz on down, without the use of electronic filtering. I preferred a pair of AKG C 460Bs or a Royer SF-12. ($1499 street; www.neumann.com), AT8470 Quiet-Flex Mic Clips, AT8456a Quiet-Flex Mic Clips, AT8471 Isolation Mic Clip, Jim Williams: Behind the Gear with Audio Upgrades, Restoring the "Holy Grail of Compressors": Behind the Scenes at the Vintage King Tech Shop, From WWII Planes to Stax Consoles: Behind the Gear with Bill Cheney & the History of Spectra Sonics, Rich Williams: Behind the Gear with Burl Audio. First up, electric guitar. 1. Sweet sounding, even on my brightly-voiced Yamaha U3 upright, but I needed another mic to fill out the lows. It gives you a very "finished" sound that requires no EQ and no de-essing. When a representative from Neumann sent me this mic months ago, I was told that it was a killer vocal mic. And whether I'm recording vocals or not, it's a great mic to pull out of the closet when I want a bit of high-end hype. There’s a peak at 5 kHz, a dip in the 7–8 kHz range, and then another peak at 10–11 kHz. Sure enough, I got a nice full image of the kit with the bass drum sounding neither boomy nor muddy. There's a peak at 5 kHz, a dip in the 7-8 kHz range, and then another peak at 10-11 kHz. Upon listening to the recorded tracks, I was surprised how composed the TLM 49 sounded; even with no damping inside the drum and the mic inches away from the front head, the TLM 49 didn't sound boomy. So I did what I think many Tape Op geeks would have done; I tried it on everything else but vocal. This mic is kind of versatile very interested. (I’ve used an M49 quite a bit over the years and there’s no doubting its doppelganger I love my Shure KSM32, but it's not always a flattering mic on voice because it tells it how it is-great midrange without any hype. It is designed primarily as a vocal mic, with a sound … This time it was a Sennheiser 421 that was destroyed and an Audix D-2 that... Earthworks has made well-regarded condenser microphones for over 20 years. Piano? The TLM 49 is a cardioid (good) Designed for making voice and although I have been able to try it on other source, it should work well on instruments that do not s'inquitent its size! The TLM 49 is a large-diaphragm FET condenser microphone with Neumann’s K47 capsule.
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