The benefits of parallel compression are manyfold, though there are a few pitfalls. A 2:1 setting will be a bit more “natural” but still extreme at such a low threshold. If you know what you want to hear, you’ll know whether or not you’ve set up the chain correctly. Please try again. I find the release works best when it’s pretty slow. In other words, if you want to bring out the low end of a kick drum, put a high-pass filter on a mult of the kick feeding the sidechain. Music theory isn’t the be-all and end-all of becoming a great producer, but a little knowledge can help. Use this link to get the best deal on this new bundle. We take a look inside the Spanish techno artists humble abode. Combining these two unassuming features can garner inspiring results. (And no, I’m not talking about turning up the gain…). Parallel compression, also known as New York compression, is a great way to make your drum hits sound more impacting and cut through the mix. Does Waves’ newest multi-layered modulation plug-in offer us maximum sonic colour? Here’s a video you might like on using parallel compression to bring out the attack or sustain of a snare drum: Here’s a playlist of more compression tutorials: Want to step up your mixing skills? Fortunately, this is easily applied in Logic Pro X . It’s 46% off right now and we can promise you this: You’re about to discover a radical new approach to mixing with compression—you’ll never need another tutorial on this topic. Parallel compression complicates this by coupling all the versatility of regular compression with treating a signal in extremes. Slate Digital's new exciter based on the Dolby-A trick is a quick way to add excitement to tracks and mixes. Turn the threshold down almost all the way (or turn the ‘input’ up a lot). Compression on its own can be a bit complex for those who are just getting the swing of things. Pick a set of drum samples – kick drum, snare, closed hi-hat and open hi-hat – and drop them to the step sequencer sampler channels and assign each drum sample to an empty mixer track. In this Logic Pro Tips video, Jono Buchanan explains the concept of parallel compression and how it can give your drums a little more spank. Awesome. For a deeper look at compression, check out Mixing with Compression. For the in-your-face clean sound, 2:1 is a good place to start. Well — it isn’t so tough if you can find your center — which in all cases of mixing is: what are you trying to accomplish? Wish you could find new, creative ways to use compression with more confidence. To highlight and bring out a specific tone in the signal. We put together the ULTIMATE compression tutorial for you here. Parallel compression, also known as New York compression, is a great way to make your drum hits sound more impacting and cut through the mix. In my book, there are two reasons to use parallel compression: One way to set up an effective parallel compression chain is to use very heavy settings. Get the latest industry news, reviews, features and tutorials. We find out why 10 Grammy Award-winning producers are endorsing a pair of wireless earbuds. When blended back in, it’s as if you EQ’d up the low end, but without the artifacts. Mix with the entire Beatport catalogue on virtual decks. In fact, you’ll probably be telling other people they’re doing it wrong! In our Logic Tips series, MusicTech Logic guru Jono Buchanan explains the music production process on Apple’s professional DAW. By checking the boxes you agree to receive the following from us via e-mail. We head to South Fremantle, Australia, to check the vibe of the young indie-electronic producer's creative space. Set the attack as fast as possible. Unless you want to highlight the “air” — but I’ll get to that next. To get a very “forward” sounding compression. Parallel compression is a type of compression where by we place compression on an external send track, allowing the user to create a mixture of the dry signal (the audio signal without any dynamic changes made to it), and the compressed signal (coming from the send track).

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