Db = F = A Augmented 3. C-flat, E etc). The E augmented chord contains 3 notes:  E, G#, B#. The music theory term triad chord means that 3 or more notes played together, or overlapping. Also knows as the minor-third half-step scale(because that is the intervals that make up the scale) Because the scale is symmetrical, there are only 4 unique Augmented Scales (i.e. This step shows the E augmented triad chord in root position on the piano, treble clef and bass clef. The key is assumed from the key signature. E-5th: The 5th note quality of the major scale is perfect, and the note interval quality needed is augmented, so the 5th note scale note name - B, is adjusted 1 half-note / semitone up to B#. The E augmented 1st inversion contains 3 notes: G#, B#, E. The figured bass symbols for this chord inversion are 6/3, so the chord is said to be in six-three position. The E augmented chord contains 3 notes: E, G#, B#. Eb = G = B Augmented And also, much like the Diminished Sca… ie. The major scale uses the  W-W-H-W-W-W-H  note counting rule to identify the scale note positions. Based on this numbering scheme, another name for this inversion would be E augmented triad in six-four position. To invert a chord, simply take the first note of the chord to be inverted (the lowest in pitch) and move it up an octave to the end of the chord. B: B, D, Eb, F#, G, A#, B, Intervals: 1, 3b, 3, 5, 5#, 7 F#/Gb: F#, A, Bb, C#, D, E#, F# This step shows the E augmented 2nd inversion on the piano, treble clef and bass clef. A: A, B#, C#, E, F, G#, A All of these triad qualities are based on the 1st, 3rd and 5th notes of the major scale piano diagram above. This step shows the E augmented 1st inversion on the piano, treble clef and bass clef. Often the 3 symbol is not shown at all, and only the number 6 symbol is shown - the 3rd is assumed. This step identifies the note interval numbers of each scale note, which are used to calculate the chord note names in a later step. Below is a table showing the note interval qualities for all triad chords, together with the interval short names / abbrevations in brackets. This step shows the E augmented triad chord note interval names and note positions on a piano diagram. The chord spelling / formula relative to the E major scale is:  1 3 #5. These note interval qualities are diminished, minor, major, perfect and augmented. For example, the 6 represents note E, from the G#-6th interval, since the lowest (bass) note of the chord - now inverted, is G#. Before print or download please save it first. The Augmented Scale (a.k.a. It may also be called the "minor-third half-step scale" due to the series of intervals produced. The figured bass symbols for this chord in root position are 5/3. A suspended chord is known in music theory as an altered chord because it takes one of the above chord qualities and modifies it in some way. Based on this numbering scheme, another name for this inversion would be E augmented triad in six-three position. Each chord quality name is the name of the entire chord as a whole, not its individual notes (which will be covered later). In music theory, this triad chord as it stands is said to be in root position because the root of the chord - note E, is the note with the lowest pitch of all the triad notes. The audio files below play every note shown on the piano above, so middle C (marked with an orange line at the bottom) is the 2nd note heard. To count up a Half-tone (semitone), count up from the last note up by one physical piano key, either white or black. These numbers represent the interval between the lowest note of the chord (not necessarily the original triad root! Semi-notes: 3 - 1 - 3 - 1 - 3 - 1 C = E = Ab Augmented 2. If an adjustment in the pitch occurs, the note name given in the major scale in step 4 is modified, so that sharp or flat accidentals will be added or removed. Since figured bass notation works within the context of a key, we don't need to indicate in the figured bass symbols whether eg. In the C Augmented Scale this would be C - E - G# (Caug) and Eb - G - B (Ebaug). The figured bass symbols for this chord inversion are 6/4, so the chord is said to be in six-four position. It divides the octave into 3 equal parts, major 3rds C-E-Ab-C. Now, if we continue dividing the those intervals, we end up with 6 major 2nds, the whole tone scale. Augmented Scales overview E: E, G, Ab, B, C, D#, E This scale should not be confused with Lydian Augmented with the semi-notes pattern 2 - 2 - 2 - 2 - 1 - 2 - 1. The 3rd note name - G#, is used, and the chord note spelling is 3. D#/Eb: D#, F#, G, A#, B, C##, D# Note no. In the same way, the figured bass 3 symbol represents note B#, from the E-3rd interval. the tonic of the major scale. The numbers in brackets are the note interval numbers (ie the scale note number) shown in the previous step. The note order of this triad can also be changed, so that the root is no longer the lowest note, in which case the triad is no longer in root position, and will be called an inverted triad chord instead. For example, the 5 represents note B#, from the E-5th interval, since the triad root, E, is the lowest note of the chord (as it is not inverted). E augmented 7th chord. Then there is one note interval to describe the 2nd note, and another to describe the 3rd note of the chord. The name of the scale is based on the fact that it is built upon two augmented chords. Symmetrical Augmented Scale) consists of six notes and therefore belongs to the category of hexatonic scales. This scale is primarily used in jazz music and works well together with alternate seventh chords. The figured bass notation for a triad in root position is 5/3, with the 5 placed above the 3 on a staff diagram. We will look into ways this is commonly used and some theoretical ideas that make putting it into practice simpler. These note names are shown below on the treble clef followed by the bass clef. For this chord, this is explained in detail in E-maj-3rd and E-aug-5th, but the relevant adjustments for this augmented chord quality are shown below: E-3rd: Since the 3rd note quality of the major scale is major, and the note interval quality needed is major also, no adjustment needs to be made.

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